When I started training in Kali Majapahit back in 2008 we were in a beaten up (nostalgic?) shophouse on Yan Kit Road in Singapore, a ragtag bunch of diverse men and women hungry for all the knowledge that Guro Fred Evrard and Guro Lila Evrard (the founders) had brought together during their respective lives in the martial arts. They had just completed a 4-year journey around the world (yes, I'm jealous) and trained deeply with so many legendary masters, enhancing their already decades of experience. Somehow they settled briefly in Singapore and established the first KM school. The result of their years of research is Kali Majapahit, a comprehensive, truly multi-cultural Southeast Asian Martial Art. Since then, KM has grown to 18 locations in 9 countries all over the world.
Kali Majapahit is (I think) unique in that it is named after the Majapahit Empire, which spanned almost all of Southeast Asia for several hundred years and involved cultural sharing and trading across what became China, The Philippines, Indonesia, Thailand, Cambodia and beyond. Thus, our system is not just FMA, it encompasses techniques from all over Asia. Other FMA styles are organized into subsystems for ease of understanding, but ours is based on subsystems which are culturally very different, and require a broad understanding to apply correctly.
On one hand, this is daunting, especially for new students, since Kali Majapahit can be a bit hard to define or classify. Our various subsystems express very differently and this can be a bit confusing at first. At the same time, the synthesis of understanding across our subsystems allows students to experience much, much more than they every could in any other single martial art (in my opinion).
Our subsystems include Filipino Kali, Indonesian Silat, Southern Chinese Hakka Kuntao, Muay Thai/Muay Boran, JKD and Western boxing/wrestling. In many schools (especially mine in Tokyo, Japan) we also have expertise in traditional Japanese martial arts like Aikido, Judo, Jujitsu and Kenjutsu and these elements are blended into our flow.
The result is diverse and rich, with depth and scope (just like our instructors and students!). There is a lot to discover and the content never becomes boring. In Tokyo, our classes are two hours long, during which we get to explore and practice at least three subsystems each time.
It is important to note than in each subsystem there are many elements which are common, particularly those which involve our body mechanics, since the goal of generating power, keeping balance, remaining mobile apply to every fighting situation. However, the theories and philosophies of HOW to do that differ significantly between subsystems. This requires students to understand the body more deeply, and learn to use their bodies in multiple ways to create the desired outcomes. When we move in Silat, the footwork and physical attitude is very different from that of Western boxing or Muay Thai, just as Hakka Kuntao movement differs completely from that of aikido. No one way of moving is empirically better than another - they are all useful lenses to view ourselves in three-dimensional space. Rather than just having different techniques, each subsystem is designed to allow the student to explore a completely different way of moving - from the footwork upward. This requires fundamentally changing the way we think and act whenever we switch.
Guro Fred often talked about the attitude or "look" that we were to aspire to. When doing each subsystem, we were expected to look like a dedicated professional of that style. When boxing we should look and move like a pro boxer. When doing Muay Thai like a pro fighter. When doing Hakka Kuntao, like a practitioner dedicated to only that. Of course, Guro Fred could always easily show us what that meant and when he moves it's like watching a team of experts at once!
This training gives tremendous flexibility and optionality. The ability to flow from subsystem to subsystem smoothly creates a significant challenge to any opponent we face, since instead of just fighting one person, they then feel like they are fighting five (or more). Every time they think they understand or could anticipate how we move we switch, shifting from one subsystem to another as opportunities present themselves.
Thinking about this reminded me of the legendary Sega videogame VirtuaFighter, which has a character called Dural (left in the picture at the top). Dural's skill is the ability to instantly transform into any VF character and use their moves and abilities. This is extremely challenging to defeat, which is also why Dural is the Final Boss.
Likewise, a mastery of the various KM subsystems is worthy of your time and investment if you also want to BE A BOSS!
See you at class
1 comment:
Be a boss 💯😄
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